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16 FILMS, INCLUDING FIFTY SHADES DARKER (2017).
Daughter of actors Don Johnson and Melanie Griffith, granddaughter of the chillest, most unattainable Hitchcock blonde of them all, Tippi Hedren, Dakota Johnson has pasted her own star into this Hollywood constellation. Early twinkles in Crazy in Alabama and The Social Network were the prelude to her breakout casting as the demure literary ingénue Anastasia Steele (yowza) in the screen adaptation of E. L. James’s Fifty Shades of Grey, the fiction sensation that got women worldwide thrumming. Following Fifty Shades of Grey is the forthcoming Fifty Shades Darker, and, if civilization prevails, Fifty Shades: The Wrath of Khan. It is outside the pallor and dolor of Fifty Shades that Johnson gets to strut a fuller stride, as Rebel Wilson’s avid sidekick in How to Be Single and as the sun-streaked temptress in Luca Guadagnino’s A Bigger Splash. For her next daredevil mission, Johnson will be en pointe in Guadagnino’s remake of the horror cult classic Suspiria, as a ballerina who joins a mysterioso dance academy presided over by her sub-lunar co-star from A Bigger Splash, Tilda Swinton—it doesn’t get more ooga-booga than that.
Read the full article on Vanity Fair.
Dakota Johnson, the star of Fifty Shades Darker, is our brand-spanking new GLAMOUR cover star. The Hollywood star reveals what the future holds for her, her movie regrets and what it’s really like to work with GLAMOUR’s Sexiest Man of The Year 2017.
Dakota on… leaving the kink behind
“It’s not that it has put me off entirely, but I’m ready to do other stuff. And maybe they will be sexy [projects], or maybe they will be the complete opposite. But I do know that I’m ready to move on.”
Dakota on… whether she can ever imagine a time when she thinks: “I wish I hadn’t done those films”
“It comes in waves. But this project is not going to be my swan song. It has put my life on a path that I didn’t plan to go down, but I do feel proud of it. And the films have allowed me to do so many different projects and travel so much. In the end, Fifty Shades has plopped me in a world that I really wanted to be in.”
Dakota on… whether her parents have seen any of the films?
“They haven’t because it’s such a tricky thing. It’s too uncomfortable for them. It’s one thing if a film has one sex scene in it, but with this, a large part of the premise is the arc of their sexual relationship, and I think that’s a little inappropriate for my family to watch.”
Dakota on… her newfound appreciation for the world of sex toys
“Oh some of that stuff is just so beautiful! When we first started on Fifty Shades, that wasn’t a world I was privy to at all, and I soon found out there are all these different tiers. There are some things out there that are really grimy and nasty, and then there are really beautiful, intricate and chic toys. Actually, whole aspects of the BDSM world are truly beautiful.”
“Find the girl,” Alfred Hitchcock instructed Universal Studios in 1961. He’d seen a TV commercial for Sego, a popular diet shake, featuring a blonde model. Tippi Hedren got the call on Friday, October 13, and was offered a contract before she ever saw “Hitch.” Hedren’s first film, The Birds, earned her a Golden Globe; the second, Marnie, a psychoanalytic mystery-romance with Sean Connery, swept her into Hollywood’s front ranks. It also unraveled Hitchcock’s obsession with his leading lady—Hitchcockian in itself—as he commissioned a plaster cast of her head, built her dressing room beside his studio-lot bungalow, and, worst of all, made offensive advances. Hedren rejected him. “I’ll ruin your career,” he seethed. “Do what you have to do,” she said as she left his office, slamming the door. They didn’t talk again.
Fifty-five years after that first phone call, Hedren has written a memoir, Tippi (published this month by HarperCollins), not only about Hitchcock but also about Charlie Chaplin, who directed her in A Countess from Hong Kong, and decades of work at Shambala, her sanctuary for lions, tigers, and other big cats. There are also two other women: daughter Melanie Griffith and granddaughter Dakota Johnson, shown here with “Mormor” (“grandmother” in Swedish; Hedren’s parents were Scandinavian)—the first time the trio has been photographed together for publication. “The three generations just made me think about Mom, born in 1930, and me, in the 50s, and Dakota, in the 80s,” says Griffith. “The progression of life is really beautiful.” The women are close-knit, but they don’t give one another acting advice. “No, we never even talk about it,” Hedren says with a laugh. “Isn’t that interesting?”
Source: Vanity Fair